Crozier Redefines Art Preservation with New Museum-Grade Facility in Hong Kong
The expansion introduces high-tech viewing rooms and elite climate controls to the city’s booming art market.
Summary
- Crozier Fine Arts expanded its Hong Kong presence with the 47,000-square-foot ATL Logistics Centre A facility in Kwai Chung, bringing its total regional footprint to 95,000 square feet
- Designed by Betty Ng (Collective), the facility features Hong Kong’s first adjustable Barrisol lighting system in its viewing rooms, providing museum-grade color temperatures and a 1-ton hanging capacity for collectors
- The site utilizes a specialized Saiver desiccant DX-AHU system to maintain a strict climate of 18–22°C and 45–55% humidity, alongside high-end security and private lounges for confidential client events
Crozier Fine Arts is elevating the standards of fine art preservation with the launch of its new ATL Logistics Centre A facility in Kwai Chung, Hong Kong. Spanning 47,000 square feet, this addition brings the brand’s total Hong Kong footprint to 95,000 square feet, strategically positioned just 20 minutes from Hong Kong Island.
Designed by Betty Ng of architecture firm Collective, whose work also includes leading the Hermitage Museum Repository project at OMA, the space merges technical precision with a sophisticated client experience. One of Crozier’s highlights is a circular, smart glass window that can switch from frosted to transparent glass — allowing visitors and clients to take a peek at the storage process.
When Ng and her team entered the project in the second half, they recognized that the floor plan had more or less been finalized. As they were thinking about connecting the reception with the lounge and viewing area, they realized that on the right side of the corridor was the full-length warehouse just behind it. “So we toyed with the idea of, ‘Can we have a snippet of how you guys actually work?’” Ng shared.
“Crozier is about this refined but super efficient, fine art logistics, so we wanted to open a window,” she continued. “That was the only spot. Everything is highly functional with the entrances, the locations — we managed to find this particular spot that we can open up, like a peep show.” The window’s circular shape was intentional, Ng confirms. “We want it to be framed,” she said. “Imagine if it’s just a full glass faćade. It feels less of an intention to really frame a view.”
Ng, whose father was in the logistics business, is passionate about championing the folks who work behind the scenes. “I think it’s quintessentially Hong Kong. Hong Kong is a port city. Hong Kong is Hong Kong because of logistics,” she explained. “The affinity I have in showcasing the hard work behind the scenes was something I’ve always been interested in.”
Security and preservation remain paramount at Crozier. The facility utilizes a Saiver desiccant DX-AHU environmental control system to maintain a strict climate of 18–22 degrees Celsius and 45–55% relative humidity.
Another standout feature is the introduction of Hong Kong’s first adjustable Barrisol lighting system within dedicated viewing rooms. These rooms offer customizable color temperatures and a 1-ton hanging capacity, allowing collectors to appreciate their pieces under museum-quality conditions. Beyond storage, the site features flexible lounges for private events and adjoined meeting rooms for confidential discussions.
By integrating global best practices with innovative design, Crozier is creating a transparent environment where the craft of art handling is as visible as the collection itself. For Crozier General Manager Ken Ng, one of the most significant ways they can execute this is by spearheading the client-facing approach his industry is still lacking.
“As I understand, 40% to 45% of millennial art collectors engage in market life compared to other age groups,” he reveals. “We need to understand what they need in regards to their lifestyle and the way that they look into artwork.”
The exec adds that their services can support the type of trends millennials enjoy. “You know, like for photoshoots for Instagram, I’m sure this space isn’t that bad,” he quips. “That’s why we integrate and implement different testing factors in this design. We want to keep the possibility of changing the space and facility. It’s important for when we have different requests.”
Crozier
Unit 3018E-3026E, 3/F
ATL Logistics Centre A, Berth 3
Kwai Chung Container Terminal
Kwai Chung, New Territories
Hong Kong
