Inviting visitors to traverse a massive “balloon knot” installation.
Bringing the intangible into physical reality.
Surrender to the “curated chaos” of the cult magazine.
The artist claims unauthorized use of his Ferrari sculpture in the rapper’s “Trappa Rappa” teaser.
In his latest Sprüth Magers solo, the artist taps into the algorithmic absurdity of our times, reimagining the future of media through AI, memecoins and mythmaking.
Opening at Prada Aoyama on April 18.
The artist’s first New York museum solo exhibition.
Exploring the uneasy relationship between material wealth and the widespread availability of deadly weapons.
During this year’s Milan Design Week.
Weaving the glitch to explore Black femme identities.
Shedding light on how the artist’s ideas and visual language took shape over the years.
Presenting work that reflects on “what can constitute art in the age of rapidly unfolding technologies.”