‘Wet Rooms’ is now on view in Lausanne through August 10.
Featuring a fresh crop of large-scale, kinetic installations.
Following a “f*ck the king” tag found on the Crown Estate-owned venue.
The Ghanaian artist’s UK solo debut.
Painting as a spatial, sculptural and sensorial act.
Expected to fetch roughly $30m USD.
Bringing the intangible into physical reality.
Surrender to the “curated chaos” of the cult magazine.
The artist claims unauthorized use of his Ferrari sculpture in the rapper’s “Trappa Rappa” teaser.
In his latest Sprüth Magers solo, the artist taps into the algorithmic absurdity of our times, reimagining the future of media through AI, memecoins and mythmaking.
Opening at Prada Aoyama on April 18.
The artist’s first New York museum solo exhibition.
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